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The painting “Moonlight 2004” is a meditative reflection on moonlight and its influence on the inner world. Two spiral, silvery discs – like moons or their reflections – hover among shades of blue, green, and touches of gold. Their rhythmic presence seems to bring structure to the restless chaos of splashes and lines. The moon does not illuminate literally – it resonates, influences, attracts.
Turquoise and blue splatters evoke emotions stirred by night – deep, intimate, yet filled with mysterious motion. The black lines crossing the canvas might symbolize threads of dreams, thoughts, or memories. Here, sky and earth seem to merge into one living organism, pulsing with the rhythm of silence and hidden harmony.
This is a painting about the subtle effect of light, about the nocturnal side of being – unsettling, yet comforting. Janus has captured not the moonlight itself, but its presence – quiet, yet all-encompassing.
The painting “Moonlight 2004” is a meditative reflection on moonlight and its influence on the inner world. Two spiral, silvery discs – like moons or their reflections – hover among shades of blue, green, and touches of gold. Their rhythmic presence seems to bring structure to the restless chaos of splashes and lines. The moon does not illuminate literally – it resonates, influences, attracts.
Turquoise and blue splatters evoke emotions stirred by night – deep, intimate, yet filled with mysterious motion. The black lines crossing the canvas might symbolize threads of dreams, thoughts, or memories. Here, sky and earth seem to merge into one living organism, pulsing with the rhythm of silence and hidden harmony.
This is a painting about the subtle effect of light, about the nocturnal side of being – unsettling, yet comforting. Janus has captured not the moonlight itself, but its presence – quiet, yet all-encompassing.