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The painting “Centaur 2004” is an energetic explosion of symbols and emotions. A vast burst of red at the center of the composition seems to tear through space like a primal force – wild, untamed, full of both life and destruction. The titular centaur – the mythological being that fuses animal body with human mind – seems present here as a symbol of nature entwined with consciousness, a paradoxical entity, torn yet powerful.
Golden circular forms – like moons, eyes, or shields – introduce a divine or inner light, as if the centaur is not only wild but also aware of a deeper spiritual mission. The chaos of lines, splashes, and textures expresses motion, struggle, and constant transformation.
This painting speaks of the tension between instinct and reason, nature and culture, freedom and responsibility. Janus does not paint a figure – he paints an energy, a force embodied in color and gesture.
The painting “Centaur 2004” is an energetic explosion of symbols and emotions. A vast burst of red at the center of the composition seems to tear through space like a primal force – wild, untamed, full of both life and destruction. The titular centaur – the mythological being that fuses animal body with human mind – seems present here as a symbol of nature entwined with consciousness, a paradoxical entity, torn yet powerful.
Golden circular forms – like moons, eyes, or shields – introduce a divine or inner light, as if the centaur is not only wild but also aware of a deeper spiritual mission. The chaos of lines, splashes, and textures expresses motion, struggle, and constant transformation.
This painting speaks of the tension between instinct and reason, nature and culture, freedom and responsibility. Janus does not paint a figure – he paints an energy, a force embodied in color and gesture.