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Janus’ „Moonlight Sonata 2002“ is a painting of silence and vibration. It is not an illustration of Beethoven’s famous piece, but its painterly soul – an interpretation of sounds that fall like moonlight on water.
Blurred blues and pale golds are like piano chords that do not strike, but flow. Black spreads like the melancholy hidden in the second movement of the sonata, while the sharp orange touches may represent unexpected emotional jolts. The orbs and flares create an unearthly space – not a landscape, but the inner space of the listener.
This is a painting of a sound that doesn’t fade, but stays – like the moon in water: always the same, yet never identical
Janus’ „Moonlight Sonata 2002“ is a painting of silence and vibration. It is not an illustration of Beethoven’s famous piece, but its painterly soul – an interpretation of sounds that fall like moonlight on water.
Blurred blues and pale golds are like piano chords that do not strike, but flow. Black spreads like the melancholy hidden in the second movement of the sonata, while the sharp orange touches may represent unexpected emotional jolts. The orbs and flares create an unearthly space – not a landscape, but the inner space of the listener.
This is a painting of a sound that doesn’t fade, but stays – like the moon in water: always the same, yet never identical