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In „The II Piano Concerto of Fryderyk Chopin 2002“, Janus doesn’t paint the instrument – he paints the soul of the music. This is an abstract score of emotion, where sound is transformed into color, rhythm, and explosions of an inner world.
Reds and golds erupt like passionate piano passages – intense, dramatic, brilliant like flashes of genius. Blues and whites open a space for lyricism – a realm of melancholy and gentle sighs that float through Chopin’s compositions. Black and golden elements speak of depth and nobility – a reminder that his music, though personal, always carried a regal dignity.
This is not a depiction of the concerto – it’s an emotional transcription, a record of what happens inside a person who listens to Chopin with closed eyes.
In „The II Piano Concerto of Fryderyk Chopin 2002“, Janus doesn’t paint the instrument – he paints the soul of the music. This is an abstract score of emotion, where sound is transformed into color, rhythm, and explosions of an inner world.
Reds and golds erupt like passionate piano passages – intense, dramatic, brilliant like flashes of genius. Blues and whites open a space for lyricism – a realm of melancholy and gentle sighs that float through Chopin’s compositions. Black and golden elements speak of depth and nobility – a reminder that his music, though personal, always carried a regal dignity.
This is not a depiction of the concerto – it’s an emotional transcription, a record of what happens inside a person who listens to Chopin with closed eyes.